Box 11
Contains 92 Results:
Notre amour, words by Armand Silvestre Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Unidentified Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Amoureuses: Soyons heureux, veux-tu? words by Marc Monnier Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
J'aime la blancheur de la main, words by Henri-Charles Read Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Bella, bellina Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
No digas nada a mi amante Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Je suis triste, je m'inquiète Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
L'Éte un par d'occhi Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Printed page with reproduction of J.-F. Millet's Les glaneuses and verses on the back inserted between last page and cover. Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Ворон Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Allons... Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Lucia di Lammermoor par Marie Warschenka, by Gaetano Donizetti Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Etude Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Va dire, amour Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Unknown works Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Dicen q[u]e sueno es muerte Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Intermezzo Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Berth? Gularon? de Colonna - chez Lemerre Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Dimelo caro ben come fa Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Et vous avez la belle Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
XV siècle. Je perdai mon amy [sic] Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
yeux sont eblouis du jour que je revois Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
XVe. siècle: Mon coeur vit en esmoy Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La gondole Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Exercises Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.