Box 11
Contains 92 Results:
Scerzo Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Villanelle Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La prima volta Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Non mi chiamate più biondina bella Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Dans dix ans d'ici seulement, Vous serez un peu moins cruelle Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Innanzi ch' io ti lassi , amor divino Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Una fontana non può far due fiumi Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La main Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
L'esclave Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Je vent. Silvestre. Monde musical Juillet 1880. Je veux que le matin l'ignore Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Se per fuggir da me cervo ti fai Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Canto populari [sic] Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Sur le balcon où tu te penches [Sérénade] Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La prima volta Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La prima volta Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Vò pianger pianger tanto Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
103: E tanto tempo Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Rondeau: Votre beauté n[ou]s ensorcelle, words by Alfred de Musset Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Dans ces bois qu'un nuage dore, words by Alfred de Musset Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
La chanson du printemps, words by Armand d'Artois Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Promenade: Dans ces bois qu'un nuage dore, words by Alfred de Musset Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Non posso più cantar che non ho voce Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Una fontana non può far due fiumi Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Non posso più cantar Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.
Les Guëlands Digital
Working notebooks with drafts, sketches and first versions of Viardot's songs, her operatic roles, some piano music, and other musical compositions, as well as vocal cadenzas and vocal exercises. Most notebooks arranged in dos-à-dos style with entries from both ends. Most notebooks without title, some with handwritten labels, some have encloses, and doodles. Many entries are too short or illegible to identify.