Box 9
Contains 124 Results:
Funnyhouse of a Negro by Adrienne Kennedy at East End Theatre, 1964
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Corruption in the palace of justice. Ugo Betti. Cherry Lane, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The creditors. August Strindberg. Adapted by Paul Shyre. Mermaid, 1962., 1962.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Darwin's theories. Madison Avenue Playhouse, 1960., 1960.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The day the whores came out to play tennis, and Sing to me through windows. Arthur Kopit. Players, 1965., 1965.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Deathwatch. Jean Genet. Translated by Bernard Frechtman. Cherry Lane, 1962., 1962.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Diff'rent. Eugene O'Neill. Mermaid, 1961., 1961.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Doctor Faustus. Christopher Marlowe. Phoenix, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Do I dare disturb the universe? Stuart Richard Townsend. Village South, 1964-1964., 1964-1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Do not pass go. Charles Nolte. Cherry Lane, 1965., 1965.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Don't call us. Lee Kalcheim. Village South, 1964-1965., 1964-1965.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The Doris plays: It's almost like being; I'm really here. Jean-Claude van Itallie. Village South, 1965., 1965.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Dutchman by LeRoi Jones at Cherry Lane Theatre, 1964
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Dutchman by LeRoi Jones at Village South Theatre, 1964
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The empty room. Eric Hughes, performed with: Dutchman. LeRoi Jones. Village South, 1963., 1963.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The engagement. Ursule Molinaro. Village South, 1963-1964., 1963-1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Finian's rainbow. Lane, Harburg, and Fred Saidy. New York City Center Productions and Broadway 46th St. Theatre, 1960-1967., 1960-1967.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Fiorello! Bock and Harwick. New York City Center Productions.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The fire-eaters. FlexJames Paul Dey. Village South, 1963-1964., 1963-1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The folding green. Howard Moss. Village South, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Four minute mile. Arthur Hadley. Village South Playwright Unit, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Giants' dance. Otis Bigelow. Cherry Lane, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
Gilbert and Sullivan. Jan Hus Playhouse, 1965, 1966., 1965,, 1966.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
The glass bottom boat. James Paul Dey. Village South, 1963-1964., 1963-1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.
God bless America! Tom Oliver. Village South, 1964., 1964.
Collection contains ca. 60,000 negatives (35mm, 2x2"), contact sheets, and glossy 8x10" prints, and about 400 color slides. It covers productions of Off Broadway theaters of New York, events and museum opening and galleries, and celebrities and performers photographed on assignment for the New York Times.