Funnyhouse of a Negro by Adrienne Kennedy at East End Theatre, 1964
Dates
- Creation: 1964
Language of Materials
Collection materials are in English.
Conditions Governing Access
There are no restrictions on physical access to this material. Collection is open for research.
This collection is shelved offsite. Retrieval requires advance notice. Check with Houghton Public Services staff.
Extent
11.25 linear feet (12 boxes)Biographical / Historical
The term "Negro" appears here in the context of a title in the twentieth century. The term was adopted and preferred by members of the Black community starting in the latter half of the nineteenth century, becoming dominant in language in the United States by the 1950s. As the Civil Rights movement developed, the term was criticized for being imposed upon the Black community by white people, and a new term to self-identify was sought. By the mid-1960s, more progressive language shifted to the preference for the word "Black," with some arguing the "Black" referred to radical, progressive figures, while "Negro" was used for those who were "established" or more in keeping "with the status quo." (See Citation below.) Black grew in popularity over the latter half of the twentieth century and is the contemporarily preferred term at the time of writing (2024).
Citation: Smith, Tom W. “Changing Racial Labels: From ‘Colored’ to ‘Negro’ to ‘Black’ to ‘African American.’” The Public Opinion Quarterly, vol. 56, no. 4, 1992, pp. 496–514. JSTOR, http://www.jstor.org/stable/2749204. Accessed 16 Jan. 2024.
General note
Produced by Richard Barr, Clinton Wilder, and Edward Albee.
Director: Michael Kahn
Sets and Lights: William Ritman
Costumes: Willa Kim
Cast:
- Billie Allen
- Cynthia Belgrave
- Norman Bush
- Leonard Frey
- Ellen Holly
- Leslie Rivers
- Ruth Valner
- Gus Williams
Negatives: 145
Rolleiflex: 1-7, P1-P16
Sheet 337, 338, 339, 340
Processing Information
This file was reviewed in 2024 to address outdated and harmful descriptive language. Given the context and placement of the term in a formal title, it has been left as is. A contextual note situating the usage of the term has been added. If you have questions or comments about these revisions, please contact Houghton Library. For more information on reparative archival description at Harvard, see Harvard Library’s Statement on Harmful Language in Archival Description.
Creator
- From the Collection: Jeffry, Alix (Photographer, Person)
Repository Details
Part of the Houghton Library Repository
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