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FILE — Box: 9, Folder: 1 Identifier: MS Thr 416

Funnyhouse of a Negro by Adrienne Kennedy at East End Theatre, 1964

Dates

  • Creation: 1964

Language of Materials

Collection materials are in English.

Conditions Governing Access

There are no restrictions on physical access to this material. Collection is open for research.

This collection is shelved offsite. Retrieval requires advance notice. Check with Houghton Public Services staff.

Extent

11.25 linear feet (12 boxes)

Biographical / Historical

The term "Negro" appears here in the context of a title in the twentieth century. The term was adopted and preferred by members of the Black community starting in the latter half of the nineteenth century, becoming dominant in language in the United States by the 1950s. As the Civil Rights movement developed, the term was criticized for being imposed upon the Black community by white people, and a new term to self-identify was sought. By the mid-1960s, more progressive language shifted to the preference for the word "Black," with some arguing the "Black" referred to radical, progressive figures, while "Negro" was used for those who were "established" or more in keeping "with the status quo." (See Citation below.) Black grew in popularity over the latter half of the twentieth century and is the contemporarily preferred term at the time of writing (2024).

Citation: Smith, Tom W. “Changing Racial Labels: From ‘Colored’ to ‘Negro’ to ‘Black’ to ‘African American.’” The Public Opinion Quarterly, vol. 56, no. 4, 1992, pp. 496–514. JSTOR, http://www.jstor.org/stable/2749204. Accessed 16 Jan. 2024.

General note

Produced by Richard Barr, Clinton Wilder, and Edward Albee.

Director: Michael Kahn

Sets and Lights: William Ritman

Costumes: Willa Kim

Cast:

  1. Billie Allen
  2. Cynthia Belgrave
  3. Norman Bush
  4. Leonard Frey
  5. Ellen Holly
  6. Leslie Rivers
  7. Ruth Valner
  8. Gus Williams

Negatives: 145

Rolleiflex: 1-7, P1-P16

Sheet 337, 338, 339, 340

Processing Information

This file was reviewed in 2024 to address outdated and harmful descriptive language. Given the context and placement of the term in a formal title, it has been left as is. A contextual note situating the usage of the term has been added. If you have questions or comments about these revisions, please contact Houghton Library. For more information on reparative archival description at Harvard, see Harvard Library’s Statement on Harmful Language in Archival Description.

Creator

Repository Details

Part of the Houghton Library Repository

Houghton Library is Harvard College's principal repository for rare books and manuscripts, archives, and more. Houghton Library's collections represent the scope of human experience from ancient Egypt to twenty-first century Cambridge. With strengths primarily in North American and European history, literature, and culture, collections range in media from printed books and handwritten manuscripts to maps, drawings and paintings, prints, posters, photographs, film and audio recordings, and digital media, as well as costumes, theater props, and a wide range of other objects. Houghton Library has historically focused on collecting the written record of European and Eurocentric North American culture, yet it holds a large and diverse number of primary sources valuable for research on the languages, culture and history of indigenous peoples of the Americas, Africa, Asia and Oceania.

Houghton Library’s Reading Room is free and open to all who wish to use the library’s collections.

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