Exhibition of Flemish Painting XVth Century, 1947-[1948] Digital
Scope and Contents
Folder 90 includes correspondence with Eugene L. Garbáty and Henri Marceau including:
Object list for exhibition including “The Resurrection of Christ, Master of Frankfurt, early XVI century, lent by Eugene L. Garbaty” and “St. Benedict, St. Maurus, and St. Placidus, Simon Marmion, 1425-1489, lent by Eugene L. Garbaty”
Correspondence between Eugene Garbaty and Arthur Pope, December 19, 1947 – March 31, 1948 regarding Garbaty’s loan of the two paintings for the 1948 exhibition at the Fogg, including shipping arrangements and notes from Fogg Museum conservators about the conservation needs of “Resurrection”
Folder 91 includes correspondence with Charles L. Henschel, Robert Lehman, Harry B. Wehle, and Belle da Costa Greene
Dates
- Creation: 1947-[1948]
Conditions on Access:
Access: Unrestricted.
Copyright: The President and Fellows of Harvard College hold any copyright in Pope's papers. Copyright in some papers in the collection may be held by their authors, or the authors' heirs or assigns. Researchers must obtain the written permission of the holder(s) of copyright and the Harvard Art Museum Archives before publishing quotations from any material in the collection.
Extent
9 linear feet (18 file boxes, oversize materials)Repository Details
Part of the Harvard Art Museums Archives Repository
The Harvard Art Museums Archives is the official repository for institutional records and historical documents in all formats relating to the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum, 1895 to the present. Its collections include papers of individuals and groups associated with the museums' history, including records of past exhibitions, architectural plans, photographs, scrapbooks, and memorabilia, as well as correspondence with collectors, gallery owners, museum professionals, and artists throughout the twentieth century. Its holdings also document the formation of the museums' collections and its mission as a teaching institution.
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