Language of Materials
Conditions Governing Use
Copying. Videotapes may be copied in accordance with the library's usual procedures.
Series I, THE DINNER PARTY AND RESPONSES TO THE WORK,1980-1996 (#1-24), contains videotapes related to the making of, and the debate surrounding, the multi-media art installation The Dinner Party.
Series II, OTHER ART PROJECTS, 1985-1995 (#25-31), is arranged in two subseries:
Subseries A, The Birth Project, 1985-1987 (#25-26), contains videotapes focusing on the collaborative nature of the project, including interviews with participants.
Subseries B, Holocaust Project, 1985-1987 (#27-31), contains informal discussions, interviews and documentaries related to the making of the Holocaust Project.
Series III, SEMINARS AND LECTURES, 1990-2004 (#32-49), is arranged in two subseries:
Subseries A, Through the Flower seminars, 1992-1994 (#32-40) , contains Through the Flower-sponsored seminars about women in the arts, held at various locations throughout Santa Fe.
Subseries B, Lectures and public events, 1990-2004 (#41-49), contains Judy Chicago speaking at various events and universities in the United States and Japan, largely about her work and the beginnings of the feminist art movement.
Series IV, INTERVIEWS, 1979-2007 (#50-58, 64-68), contains interviews with, and television appearances by, Judy Chicago over the course of her career.
Series V, DOCUMENTARIES, 1971-2002 (#59-63), contains five documentaries about Judy Chicago, her approach to collaborative art projects, and her place in the feminist art movement.
After receiving her B.A. (1962) and M.F.A. (1964) from the University of California, Los Angeles, Chicago received recognition for her minimalist sculpture through an exhibition at the Los Angeles County Museum of Art (1967) and a one-woman show at California State University at Fullerton (1970).
Increasingly sensitive to the need for an environment in which women artists could express themselves freely without regard to an art world dominated by males, Chicago pioneered feminist art education programs through her experience as assistant and founder of the Women's Art Program California State University at Fresno (1969-1971) and as instructor and co-founder of the Feminist Studio Workshop at the California Institute of the Arts (1971-1973). Her experience with the Feminist Art Program culminated in Womanhouse (1971), an installation she directed with the artist Miriam Shapiro. In 1973, Chicago organized the Feminist Studio Workshop, the first independent feminist art program in the country.
Chicago is best known for The Dinner Party (1974-1979), a multi-media installation honoring the achievements of women in Western civilization. Created with the participation of hundreds of volunteers, The Dinner Party was viewed by approximately one million people in exhibitions in the United States and abroad between 1979 and 1988. In 1978, Chicago established a non-profit organization, Through the Flower Corp., to support the completion of The Dinner Party. Through the Flower continues to this day as an "arts organization whose mission is to create a cultural legacy built upon the vision embodied in the work of Judy Chicago through education, exhibition and preservation" (www.judychicago.com). Since 2002, The Dinner Party has been permanently housed at the Brooklyn Museum of Art in New York.
Committed to using art as a vehicle for intellectual and social change, Chicago created The Birth Project (1980-1985), a series of birth and creation images for needlework executed by skilled stitchers around the country, and the Holocaust Project (1984-1993) in collaboration with her husband, photographer Donald Woodman. A frequent lecturer, she is the author of Through the Flower: My Struggle as a Woman Artist (1975), Beyond the Flower: The Autobiography of a Feminist Artist (1996), and a number of books on her work.
- Series I. THE DINNER PARTY AND RESPONSES TO THE WORK, 1980-1996 (#1-24)
- Series II. OTHER ART PROJECTS, 1985-1995 (#25-31)
- Series III. SEMINARS AND LECTURES, 1990-2004 (#32-49)
- Series IV. INTERVIEWS, 1979-2007 (#50-58, 64-68)
- Series V. DOCUMENTARIES, 1971-2002 (#59-63)
Immediate Source of Acquisition
These videotapes were included with the papers of Judy Chicago (MC 502) and (MC 909) that were given to the Schlesinger Library between 1996 and 2018 by Judy Chicago.
By: Joanne Donovan
Updated: September 2019
By: Joanne Donovan
- Art exhibitions
- Art, Modern--20th century
- Artists--United States
- Childbirth in art
- China painting
- Feminism in art--United States
- Group work in art--United States
- Holocaust, Jewish (1939-1945), and art
- Jewish women--United States
- Motion pictures
- Needlework--United States
- Sex discrimination against women--United States
- Women artists--United States
- Women in art
- Chicago, Judy, 1939- . Videotape Collection of Judy Chicago, 1971-2007: A Finding Aid
- Arthur and Elizabeth Schlesinger Library on the History of Women in America
- EAD ID
Part of the Schlesinger Library, Radcliffe Institute Repository
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