Box 1

Scope and Contents:

Italian sheet music, where Wong performed in 1934, notably an inscribed copy of Carlo Innocenzi’s tune “Canto D’Amore,” as well as a typed piece of dialogue from her live performance.

Scope and Contents:

Written by the American composer Robert Hood Bowers (1877-1941) for the 1919 musical East is West. A handful of these pages have stamps from various theatres including the Howard Theatre in D.C. and the Mastbaum Theatre in Philadelphia.

Scope and Contents:

Eleven pages of manuscript sheet music and printed sheet music.

Scope and Contents:

Includes manuscript score to the “Chinese Dance” that is inscribed to Wong.

Scope and Contents:

Includes twenty-seven pages of manuscript sheet music.

Content Description:

Collection includes manuscript music by Wong and by Constant Lambert, Ernest Irving, and Hans May, and printed music.

Scope and Contents: There are about 90 pages of manuscript music, including multiple songs from the musical 1929 The Circle of Chalk, which was based on a popular 1924 German adaptation of a 13th-century Chinese classic zaju verse play. At the behest of her agent, Wong made her theatrical debut in The Circle of Chalk in London in 1929, appearing alongside the Australian actress Rose Quong and a young Laurence Olivier. Included are manuscript scores (some with lyrics) to The Mirror Song, The Willow Song,...

Scope and Contents:

Included is a four-page, manuscript presentation copy of, “The Long Departed Lover.” The title page is signed by Lambert and dedicated to Wong, and on the last page there is a second inscription which reads “to Wong Liu Song, with Love from Constant.” Also included is a printed copy of his earlier work, “Four Songs by Li-Po” which is inscribed “To Miss Anna May Wong / from the composer / who hopes he may one day hear her sing them.”

Scope and Contents:

Includes a three page manuscript sheet music for the song Einmal Kommt das Wunder der Ziebe (from “Hai-Tang''). It is signed by the composer Hans May (1886-1959), and there is an English translation of the German lyrics written in pencil.

Scope and Contents:

Many have notes on covers

Scope and Contents: Besides producing and starring in Tschun-Tschi, she composed the music and lyrics to the show’s Chinese songs. It opened August 14th, 1930, at the Neues Wiener Schauspielhaus in Austria and ran for five weeks.Included in the collection are about 40 pages of manuscript music, written by Wong (who was fluent in German). It is presumed these were used in Tschun-Tschi (given that one of the compositions shares a title) bt this is not confirmed. These songs were also possibly added...

Content Description:

Collection includes manuscript music by Wong and by Constant Lambert, Ernest Irving, and Hans May, and printed music.

Content Description:

Collection includes manuscript music by Wong and by Constant Lambert, Ernest Irving, and Hans May, and printed music.

Scope and Contents:

Includes three-pages of manuscript sheet music, as well as printed sheet music and typed sets of lyrics in Danish and English, for the song Før Vi Skilles (Before We Part). Written by Flemming Geill (lyrics) and Henry Willum (music), the song was written specifically for Wong and it was part of her repertoire in her 1935 tour of Denmark.