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FILE — Box: 3, Folder: 26 Identifier: HTC 1

Lyric Theatre. Robert Rockmore presents "Run, Little Chillun!" by Hall Johnson : program, 1933 March

Scope and Contents

Program for "a Negro folk drama in four scenes" by Hall Johnson and directed by Frank Merlin.

Dates

  • Creation: 1933 March

Language of Materials

English, French, German, Dutch, Italian

Conditions Governing Access

Collection is open for research; access restrictions are noted with the item where they exist.

Extent

4.4 linear feet (3 boxes and 94 folders)

Biographical / Historical

Run, Little Chillun or Run Little Chillun is a folk opera written by Hall Johnson. According to James Vernon Hatch and Leo Hamalian, it is one of the most successful musical dramas of the Harlem Renaissance. It was the first Broadway show directed by an African-American.

Biographical / Historical

The term "Negro" appears here in the context of a transcription from a 1933 playbill for the first Broadway production written by a Black American. The term was adopted and preferred by members of the Black community starting in the latter half of the nineteenth century, becoming dominant in language in the United States by the 1950s. As the Civil Rights movement developed, the term was criticized for being imposed upon the Black community by white people, and a new term to self-identify was sought. By the mid-1960s, more progressive language shifted to the preference for the word "Black," with some arguing the ""Black"" referred to radical, progressive figures, while "Negro" was used for those who were "established" or more in keeping "with the status quo." (See Citation below.) Black grew in popularity over the latter half of the twentieth century and is the contemporarily preferred term at the time of writing (2024). The inclusion of the term "Negro" in this description is in keeping with the establishment usage throughout the 1950s-1960s, though Cummings was known to use derogatory and prejudicial language as well..

Citation: Smith, Tom W. “Changing Racial Labels: From ‘Colored’ to ‘Negro’ to ‘Black’ to ‘African American.’” The Public Opinion Quarterly, vol. 56, no. 4, 1992, pp. 496–514. JSTOR, http://www.jstor.org/stable/2749204. Accessed 16 Jan. 2024.

Immediate Source of Acquisition

2020MT-70. Purchased with funds from the Francis W. Hatch Book Fund, 2019 September.

Processing Information

This file was reviewed in 2024 to address outdated and harmful descriptive language. Given the context and placement of the term transcribed from the playbill for a Harlem Renaissance-era, Black-written production, it has been left as is. If you have questions or comments about these revisions, please contact Houghton Library. For more information on reparative archival description at Harvard, see Harvard Library’s Statement on Harmful Language in Archival Description.

Repository Details

Part of the Houghton Library Repository

Houghton Library is Harvard College's principal repository for rare books and manuscripts, archives, and more. Houghton Library's collections represent the scope of human experience from ancient Egypt to twenty-first century Cambridge. With strengths primarily in North American and European history, literature, and culture, collections range in media from printed books and handwritten manuscripts to maps, drawings and paintings, prints, posters, photographs, film and audio recordings, and digital media, as well as costumes, theater props, and a wide range of other objects. Houghton Library has historically focused on collecting the written record of European and Eurocentric North American culture, yet it holds a large and diverse number of primary sources valuable for research on the languages, culture and history of indigenous peoples of the Americas, Africa, Asia and Oceania.

Houghton Library’s Reading Room is free and open to all who wish to use the library’s collections.

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