Subject Source: Unspecified ingested source
Found in 4 Collections and/or Records:
FOUND IN: Dumbarton OaksCollection Identifier: MS.BZ.004
Scope and Contents: This collection contains fieldwork records and papers produced by the staff of the Byzantine Institute and Dumbarton Oaks, as well as Thomas Whittemore and Paul Underwood, between the 1920s and 2000s. It is comprised of correspondence, minutes, financial records, logbooks, fieldwork notebooks, research notes, ground plans, maps, oversize drawings, tracings, paintings, photographs, films, newspaper clippings, and publication materials. The collection is organized by the method of creation and...
FOUND IN: Peabody Museum ArchivesCollection Identifier: 41-72
Scope and Contents: The papers primarily consist of Bushnell and the Bushnell estate's correspondence with dealers, artists, museum professionals and other collectors; Bushnell's fieldnotes from his work with the Choctaw and archaeological expeditions; and, manuscript drafts and notes for his many publications.
FOUND IN: Dumbarton OaksCollection Identifier: MS.BZ.019
Scope and Contents: The collection consists of 6 boxes of records that contain: lecture and research notes; note cards; drafts for outlines and essays; bibliographies and lists of objects; and photographs of Byzantine art and architectural drawings. These items were primarily created by Paul Underwood between 1936 and 1950 and by Albert Mathias Friend, Jr. between 1945 and the mid-1950s. The collection includes Underwood’s research papers as a graduate student in the Department of Art and Archeology at...
Overview: This collection contains the completed films, work reels, filmmaking equipment, and papers of experimental filmmaker Warren Sonbert (1947-1995), a key figure of American avant-garde cinema. In addition to preservation masters of all of Sonbert’s completed 16mm films, the collection features 26 of his original work reels. The collection’s paper holdings include Sonbert’s personal correspondence; materials relating to the exhibition of Sonbert’s work; Sonbert’s own writings as a critic and...