Professor David Lewin manuscript scores, 1955-1991.
Overview
Manuscript scores of the American theorist, composer, musician and Walter W. Baumberg Professor of Music at Harvard University.
Dates
- Creation: 1955-1991
Conditions Governing Access
The collection is unrestricted.
Extent
1 boxThe collection contains copies of manuscript scores.
Biographical / Historical
David Lewin. (b. New York, 2 July 1933; d. Boston, 5 May 2003). American theorist, composer, musician, and Walter W. Baumberg Professor of Music at Harvard University. He studied mathematics at Harvard, earning an A.B. in 1954. He earned an M.F.A. at Princeton where he studied composition with Roger Sessions and theory with Milton Babbitt, and Edward T. Cone. He taught at the University of California, Berkeley (1961-7), SUNY, Stony Brook (1967-79), Yale (1979-85) and Harvard from 1985 and received honorary doctorates from the University of Chicago in 1995 and the New England Conservatory of Music in 2000. Considered the most original and far-ranging theorist of his generation, his writings include the books "Generalized musical intervals and transformations" (1987) and "Musical form and transformation" (2000), which won the ASCAP-Deems Taylor Award, and many articles. In 1998 Harvard organized a symposium in his honor on the Schönberg string quartets. His compositions include works for solo piano, solo voice, chamber music ensembles, chamber orchestra and full orchestra.
Physical Location
Merritt Room
Immediate Source of Acquisition
Gift of June K. Lewin.
- Title
- Professor David Lewin manuscript scores, 1955-1991.
- Author
- Eda Kuhn Loeb Music Library, Harvard College Library
- Language of description
- und
- EAD ID
- mus00015
Repository Details
Part of the Eda Kuhn Loeb Music Library Repository
The Eda Kuhn Loeb Music Library is the primary repository of musical materials at Harvard. The Music Library’s collecting mission is to serve music teaching and research programs in the Music Department and throughout the Faculty of Arts and Sciences. In addition, it supports the musical needs of the broader Harvard community as well as an international scholarly constituency. We collect books, musical scores, serial titles, sound recordings and video formats, microforms, and rare and archival materials that support research in a wide variety of musical disciplines including historical musicology, music theory, ethnomusicology, composition, and historically informed performance practice, as well as interdisciplinary areas related to music. The special collections include archival collections from the 19th, 20th and 21st century.
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