Language of Materials
Conditions Governing Access
.5 linear feet (1 box of 69 letters)
Biographical / Historical
Fassett began collecting records as a teen (when, due to rheumatic fever, he was bedridden and confined to a wheelchair) and translated his industrious energy and idiosyncratic passion into his own classical music radio show at WQXR/New York in the 1940s. After marrying Béla Bartók scholar Agatha Illes in 1947, he moved to Boston where he created a recording studio in his brownstone at 24 Chestnut Street in Beacon Hill.
In addition to recording performances for the Boston Symphony Orchestra, Sanders Theatre (at Harvard University), Kresge Auditorium (at MIT), and Pathways of Sound/Credo Records, he undertook several independent projects. In that capacity he provided recording and/or sound editing for such singers/musicians as Joan Baez, Donald Byrd, the Charles River Valley Boys, Roland Hayes, Tom Lehrer, Sun Ra, Tom Rush, and Eric Von Schmidt.
By the mid-1950s, he had also begun to work in collaboration with the Woodberry Poetry Room, overseen by curator John Lincoln Sweeney (from 1942-1969). In that role, he recorded such poets and writers as Robert Bly, Cid Corman, Robert Creeley, Richard Eberhart, William Everson, Vincent Ferrini, Allen Ginsberg, Ted Hughes, Stephen Jonas, Denise Levertov, Audre Lorde, Robert Lowell, W. S. Merwin, Edwin O'Connor, Sylvia Plath, Anne Sexton, John Wieners, Yvegeny Yevtushenko, and Louis Zukofsky. He also recorded privately for Sweeney, in conjunction with Sweeney's involvement in the Club of Odd Volumes and the Grolier Poetry Club. His friendship and correspondence with Sweeney endured long after Sweeney's retirement from Harvard University: in one of his later letters, Sweeney hails their work together as the "Golden Age."
In addition to his work with the Woodberry Poetry Room, Fassett teamed up with Howard Kahn and Harry and Lynne Sharon Schwartz on the Calliope Author Readings. Under this label, he (and Peter Bartók) recorded James Baldwin, Bernard Malamud, Philip Roth, William Styron, and John Updike.
In 1975, Fassett married pianist Kitty Lee, who (among other things) assisted in his efforts to publish the Roland Hayes recordings that he had been editing for 20 years. After his death, Fassett's substantive recording collection was donated to the Yale Collection of Historical Sound Recordings. Fassett died on March 11, 1980.
Immediate Source of Acquisition
- Stephen B. Fassett correspondence
- June 7, 2017
- Description rules
- EAD ID
Part of the Houghton Library Repository
Houghton Library is Harvard College's principal repository for rare books and manuscripts, literary and performing arts archives, and more. The library's holdings of primary source material are managed by an expert staff and shared with scholars, students and the public in the reading room.
Cambridge MA 02138 USA