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COLLECTION Identifier: MS Am 3405

Fanny Howe notebooks

Overview

More than 110 notebooks of American poet, novelist, memoirist, and filmmaker, Fanny Howe, along with one personal address book.

Dates

  • Creation: circa 1960-2021 and undated

Creator

Conditions Governing Access

Restricted: donor permission required; 1960s notebooks closed until 2042 January 1. Consult curatorial staff.

The bulk of this collection is open for research.

Extent

3 linear feet (4 boxes)

Composed of more than 110 notebooks and diaries, this collection spans over 50 years of Fanny Howe’s personal and writing life. The notebooks and diaries intersperse personal reflections and accounts of life events with a range of literary, spiritual, and philosophical observations; notes on books, films, and lectures; drafts of poems; sketches; and research for specific projects (among them, Indivisible, Nod, Saving History, The Winter Sun, Come and See, and Selected Poems). The collection of smaller books (or “scrawls,” as Howe called them), which accompanied her on walks, flights, and errands, include a range of miscellaneous jottings, sketches, to-do lists, and lecture notes.

Included are also references to friends and family: among them, Rae Armantrout, Russell Banks, William Corbett, Robert Creeley, Susan Howe, Robert Lowell, Bernadette Mayer, Michael Palmer, Tom Raworth, Quincy Troupe, and John Wieners.

The papers also reflect the array of artistic, scholarly, and religious communities with which Howe has been engaged in the United States and abroad. The notebooks include miscellaneous writings from her early artistic life in the Boston area, her years spent at the University of California, San Diego, and her significant stays in such locations as Martha’s Vineyard, New York City, Washington, DC, London, and at Glenstal Abbey, County Limerick, Ireland.

Biographical / Historical

Fanny Howe (born 1940) is an award-winning poet, novelist, memoirist, and filmmaker. She is the author of over 50 books of poetry and prose, including Manimal Woe (2021), Love and I (2019), Needle’s Eye: Passing Through Youth (2016), Second Childhood (2014), The Winter Sun: Notes on a Vocation (2009), The Wedding Dress: Meditations on Word and Life (2003) and Indivisible (2000).

Howe was born in Buffalo, New York, in 1940, and raised in Cambridge, Massachusetts. Her father Mark De Wolfe Howe was a professor at Harvard Law School, a WWII veteran, an active civil rights lawyer, and the first Charles Warren Professor in the History of American Law. Her mother Mary (“Molly”) Manning Howe acted in the Gate Theatre, Dublin, before emigrating to the United States, where she founded the experimental Poets’ Theatre in Cambridge. Fanny Howe’s sisters—Susan Howe and Helen Howe Braider—are also artists.

The notebooks and journals in this collection begin in the Boston area, around the time of her father’s death (in 1967) and her marriage to writer and civil rights activist Carl Senna (in 1968). The materials proceed to document the births and raising of her three children, the development of her philosophical, political, and spiritual ideas—including her first encounter with the work of Simone Weil (in 1970) and her conversion to Catholicism (in 1982)—and the research and thinking behind a range of Howe’s poetry and essay collections, novels, and films. The journals also follow Howe as she moves to San Diego in 1989 to assume a tenured faculty position at UCSD and her subsequent return to the East Coast after her retirement in 2000.

Over the course of her active writing life and career, Howe attended Stanford University and taught at Tufts University, Emerson College, Kenyon College, Columbia University, Yale University, Massachusetts Institute of Technology, and Georgetown University.

After University of California, San Diego, she spent several years traveling, teaching, and writing in such locations as West Tisbury (Martha’s Vineyard, where she purchased a cottage in 1998; later sold in 2015), New York City, Washington, DC, London, and as an annual resident (for over 22 years) at Glenstal Abbey, County Limerick, Ireland. From 2010-2019, she resided in West Cambridge, with frequent visits to see her children in Oxford, England (Ann Lucien Senna); Pasadena, California (Danzy Senna); and Martha’s Vineyard/Brookline/Santa Cruz (Maceo Senna). At the time of this donation, she resided in West Cambridge, Massachusetts.

Source: This biographical note was written by Woodberry Poetry Room curator Christina Davis, based on conversations with Fanny Howe.

Arrangement

The materials have been arranged in chronological order by decade. The physical arrangement schemes for this collection were imposed during processing. No original order had been maintained by the donor. In order to distinguish between similar notebooks, names were assigned to certain notebooks by the curator.

Custodial History

Collection came to the library directly from its creator. The collection was created by Fanny Howe and housed at her apartment in Cambridge, Massachusetts, prior to the donation. The materials were donated to the Woodberry Poetry Room in 2022.

Immediate Source of Acquisition

2022M-105. Gift of Fanny Howe, 2022 April 11.

Processing Information

Processed by Christina Davis and Melanie Wisner, 2022 June. The biographical note was written by Woodberry Poetry Room curator Christina Davis, based on conversations with Fanny Howe.

Creator

Title
Howe, Fanny. Fanny Howe notebooks, circa 1960-2021 (MS Am 3405): Guide
Status
completed
Author
Houghton Library, Harvard University
Date
2022 June 6
Description rules
dacs
Language of description
eng
EAD ID
hou03480

Repository Details

Part of the Houghton Library Repository

Houghton Library is Harvard College's principal repository for rare books and manuscripts, archives, and more. Houghton Library's collections represent the scope of human experience from ancient Egypt to twenty-first century Cambridge. With strengths primarily in North American and European history, literature, and culture, collections range in media from printed books and handwritten manuscripts to maps, drawings and paintings, prints, posters, photographs, film and audio recordings, and digital media, as well as costumes, theater props, and a wide range of other objects. Houghton Library has historically focused on collecting the written record of European and Eurocentric North American culture, yet it holds a large and diverse number of primary sources valuable for research on the languages, culture and history of indigenous peoples of the Americas, Africa, Asia and Oceania.

Houghton Library’s Reading Room is free and open to all who wish to use the library’s collections.

Contact:
Harvard Yard
Harvard University
Cambridge MA 02138 USA
(617) 495-2440