Overview
Photograph files contain over 6,000 photographic and photomechanical prints related to Italian quattrocento sculpture, with accompanying documentation, including note cards, clippings, correspondence, and several manuscripts. More than 150 sculptors are represented with Desiderio, Donatello, Rossellino, and Verrocchio having the most extensive coverage. Subject files include articles and offprints on printing, typography, and art history; also, some sales and exhibition catalogs, books, and pamphlets. Book, article, and lecture files contain Clarence Kennedy's lecture notes, some correspondence, and 2 unpublished manuscripts (The Social background of Donatello's family; The Silver altar of San Jacopo at Pistoia), along with some manuscripts by other authors. Oversized materials files contain another unpublished manuscript by Clarence Kennedy (Desiderio). The collection also includes two sets of bibliographical note cards compiled by Kennedy on Italian quattrocento sculpture, oversized photographs, and other items.
Dates
- Creation: 1921-1958
Conditions Governing Access
The collection is open for research use. Please contact Special Collections, Fine Arts Library, Harvard University.
Conditions Governing Use
Reproduction and/or publication of materials subject to copyright requires written permission from a) the copyright owner, his/her heirs or assigns and from b) the Fine Arts Library, owner of the original material.
Extent
78 boxesVarious photographers represented, chiefly Fratelli Alinari, Giacomo Brogi, Domenico Anderson, and Clarence Kennedy. Photographic media include mostly gelatin silver prints, albumen prints, and various photomechanical prints, including photogravures, collotypes, and halftones.
Biographical / Historical
Art historian and photographer Clarence Kennedy (1892-1972) received his PhD from Harvard in 1924. He was professor of art at Smith College from 1930-1960. He specialized in Italian Renaissance sculpture and published a series of portfolios, Studies in the history and criticism of sculpture, among other works.
- 1892. Born, Philadelphia. Pa., September 4, 1892.
- 1914. B.S., University of Pennsylvania.
- 1915. M.A., University of Pennsylvania.
- 1915-1916. Student at Harvard University.
- 1920-1921. Studied at American School of Classical Studies, Athens, Greece, as Charles Eliot Norton Fellow of Harvard University.
- 1921. Married Ruth Wedgwood Doggett, May 5, 1921.
- 1924. Ph.D., Harvard University.
- 1925-1932. Director of division of graduate studies in Europe for Smith College, Northampton, Mass.
- 1930-1960. Professor of art, Smith College.
- 1932. Visiting professor of fine arts, New York University.
- 1938-1939. Annual professor, Toledo Museum of Art.
- 1940. Exhibition of his photographic work at the Golden Gate Expositon, San Francisco.
- 1943. With Mrs. Kennedy listed monuments, art treasures and architecture in central Italy for American Council of Learned Societies to protect cultural treasures in war areas, as requested by Allied Bomber Command.
- 1952-1954. Chairman, Smith Art Department. Member, Committee on Stereo-photography of Society of Motion Picture and Television Engineers.
- 1960. Retired after 44 years of teaching at Smith. Resident Art Historian at American Academy in Rome, first term, 1960-1961.
- 1892.
- Born, Philadelphia. Pa., September 4, 1892.
- 1914.
- B.S., University of Pennsylvania.
- 1915.
- M.A., University of Pennsylvania.
- 1915-1916.
- Student at Harvard University.
- 1920-1921.
- Studied at American School of Classical Studies, Athens, Greece, as Charles Eliot Norton Fellow of Harvard University.
- 1921.
- Married Ruth Wedgwood Doggett, May 5, 1921.
- 1924.
- Ph.D., Harvard University.
- 1925-1932.
- Director of division of graduate studies in Europe for Smith College, Northampton, Mass.
- 1930-1960.
- Professor of art, Smith College.
- 1932.
- Visiting professor of fine arts, New York University.
- 1938-1939.
- Annual professor, Toledo Museum of Art.
- 1940.
- Exhibition of his photographic work at the Golden Gate Expositon, San Francisco.
- 1943.
- With Mrs. Kennedy listed monuments, art treasures and architecture in central Italy for American Council of Learned Societies to protect cultural treasures in war areas, as requested by Allied Bomber Command.
- 1952-1954.
- Chairman, Smith Art Department. Member, Committee on Stereo-photography of Society of Motion Picture and Television Engineers.
- 1960.
- Retired after 44 years of teaching at Smith. Resident Art Historian at American Academy in Rome, first term, 1960-1961.
Arrangement
Organized in five series: photograph files (boxes 1-54); subject files (boxes 55-61); book, article, and lecture files (boxes 62-64); bibliographic note card files (boxes 65-[74]); and oversized materials (boxes [75-78]). Photograph files arranged alphabetically by sculptor; subject files arranged by topic; book, article, and lecture files arranged by author; one set of bibliographic note cards arranged alphabetically by sculptor and the other set arranged chronologically from 1458-1494.
Physical Location
Harvard Depository
- Title
- Kennedy, Clarence. Papers and photographs, 1921-1958.
- Author
- Fine Arts Library, Harvard Library
- Language of description
- und
- EAD ID
- fal00006
Repository Details
Part of the Fine Arts Library Repository
The Fine Arts Library is among the leading libraries in the world for the study of art, architecture, and visual culture from antiquity to the present. Since 1895, FAL has served the needs of the visual arts community at Harvard, providing research and curricular support for all areas in the history of art, architecture, photography, and the decorative arts. FAL's archival collections may be consulted in the Special Collections Study Room by appointment only.
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