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COLLECTIONS: 1 - 4 of 4

Josephine M. Harris research papers and photographs

Collection Identifier: MS.BZ.007
Scope and Contents: The collection consists of Josephine M. Harris’ documentation of Coptic architectural sculpture from the site of Oxyrhynchos, Egypt (3rd-6th century CE). It includes research notes, drafts, and correspondence, but the majority of the collection consists of photographs and negatives of Coptic sculpture in Egypt, especially sculptural fragments from the site of Oxyrhynchos. These fragments were excavated by Evaristo Breccia in 1927-1931 and became part of the collection of the Graeco-Roman Museum...

Paul Atkins Underwood Research Papers

Collection Identifier: MS.BZ.019
Scope and Contents: The collection consists of 6 boxes of records that contain: lecture and research notes; note cards; drafts for outlines and essays; bibliographies and lists of objects; and photographs of Byzantine art and architectural drawings. These items were primarily created by Paul Underwood between 1936 and 1950 and by Albert Mathias Friend, Jr. between 1945 and the mid-1950s. The collection includes Underwood’s research papers as a graduate student in the Department of Art and Archeology at...

Sirarpie Der Nersessian papers and photographs

Collection Identifier: MS.BZ.005
Scope and Contents: Sirarpie Der Nersessian was one of the pioneers of Armenian-Byzantine art history. She established the methodology for the study of Armenian illuminated manuscripts and incorporated Armenian art into the scope of Byzantine art history. Over the course of her career, Der Nersessian visited and cataloged the three most significant collections of Armenian manuscripts in the world: the collection of Etchmiadzin now held at the national library, Matenadaran in Yerevan, Armenia; the Armenian...

The Byzantine Institute and Dumbarton Oaks fieldwork records and papers

Collection Identifier: MS.BZ.004
Scope and Contents: This collection contains fieldwork records and papers produced by the staff of the Byzantine Institute and Dumbarton Oaks, as well as Thomas Whittemore and Paul Underwood, between the 1920s and 2000s. It is comprised of correspondence, minutes, financial records, logbooks, fieldwork notebooks, research notes, ground plans, maps, oversize drawings, tracings, paintings, photographs, films, newspaper clippings, and publication materials. The collection is organized by the method of creation and...